People think because I can make them laugh on the stage, I'll be able to make them laugh in person. That isn't the case at all. I am essentially a rather quiet, dull person who just happens to be a performer.
[commenting in 2004 on Britain's proposed Racial and Religious Hatred Bill] To criticize a person for their race is manifestly irrational and ridiculous, but to criticize their religion, that is a right. That is a freedom. The freedom to criticize ideas, any ideas - even if they are sincerely held beliefs - is one of the fundamental freedoms of society. A law which attempts to say you can criticize and ridicule ideas as long as they are not religious ideas is a very peculiar law indeed.
Mr. Bean is essentially a child trapped in the body of a man. All cultures identify with children in a similar way, so he has this bizarre global outreach. And 10-year-old boys from different cultures have more in common than 30-year-olds. As we grow up, we acquire this sensibility that divides us.
I remember looking up Johnny English (2003) in a film guide and it said 'intermittently hilarious' - quite a good description of five good jokes and a lot of longueurs. I find it frustrating that, apart from Cuatro bodas y un funeral (1994), I have yet to be involved in a film of which I am totally proud.
The casual ease which some people move from finding something offensive to wishing to declare it criminal - and are then able to find factions within government to aid their ambitions - is truly depressing.
[on being overwhelmed by fans at a Toronto shopping mall] It's a bit disconcerting being treated like Madonna.
[preparing to perform onstage the title role in Simon Gray's 'Quartermaine's Terms'] It's well known that tragedy and comedy are close bedfellows. It's rare, though, that you see them placed in such intimacy. Like most tragic figures, 'Quartermaine' is unaware of his own tragedy. What I love about him is his optimism. You don't tend to feel much sympathy for pessimistic people, but those who retain their optimism, despite the sadness of their lives, are interesting, engaging and sympathetic.
